This work draws inspiration from the infinite life cycle, exploring themes of growth, decline, and renewal through organic forms. Using clay, glass, and silver leaf, I sought to capture the transformative stages of the alder tree: decline representing decay, sprout and seedling symbolising growth, and maturity embodying strength and fragility. These stages are not only natural phenomena but also a reflection of the passage of time and the cyclical nature of existence.

The process of creating these works is deeply intertwined with the transformative power of fire and heat. Clay evolves through firing, becoming stronger and more permanent, while glass melts and reforms, taking on new shapes that highlight its inherent fragility. Each material was carefully chosen to reflect specific phases of the life cycle, with their textures, colours, and forms contributing to the emotional and conceptual depth of the work. The materials interact in ways that mirror the delicate balance between life, death, and renewal.

The three sculptures—distinct yet interconnected—explore the relationship between decay, regeneration, and maturity. The clay, adorned with silver leaf, represents decay and rebirth, while the glass symbolises the fragility of maturity. Each piece contributes to a larger narrative of transformation, yet they also offer individual reflections on the cycles of life and the passage of time.